Posso Até Não Te Dar Flores
DJ DAVI DOGDOG, DJ Japa NK, MC Meno K, MC Ryan SP, Mc Jacaré
Lyrics
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Calling someone 'cachorro' in funk means they're shamelessly flirtatious; 'duas vez' doubles the bravado.
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The laugh reinforces the joking, self-aware swagger of the scene.
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Shoutout to producer/artist Japa NK, casually framing him as 'her king'—a typical hype ad-lib.
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Another playful reinforcement of the producer’s presence, a flex in the Brazilian funk world.
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He claims he's making history quietly—suggesting big moves behind the scenes.
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Being 'loose out there' implies freedom, nightlife, and unpredictability.
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He shuts down illusions—likely calling out a partner’s unrealistic expectations.
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He says she's lying when she claims he's no good, hinting that the judgment doesn’t match reality.
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A raw funk line: admitting mistakes but emphasizing sexual performance as a redeeming trait.
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Name drops reinforce branding—standard practice in funk to build collective identity.
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Catch this vision' is slang for 'pay attention'; the profanity adds intensity.
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Now the line feels like a closing thesis—rejecting romance for physicality.
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He again demands recognition, now with a more confident cadence.
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A final insistence that the truth is undeniable.
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The stutters mirror the beat’s climax near the track’s end.
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The repetition mirrors the beat’s bounce, encouraging the dance move itself.
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He openly admits the relationship brought him joy.
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The breakup pushes him to drinking ('copão'); sadness is numbed through alcohol.
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He skipped parties for dates—now reflecting on sacrifices that feel wasted.
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Means he went against his usual lifestyle or instincts—symbolic or literal chaos.
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Returning to friends and street life—classic post-breakup rebound.
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Repeating the motto reinforces his emotional detachment.
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He claims single life is the better option now.
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Removing the ring in summer—a seasonal symbol for renewed freedom.
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Repeating the motto reinforces his emotional detachment.
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The reaffirmation suggests he’s still convincing himself.
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He frames single life as fulfilling long-held fantasies.
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‘Pocar’ means to burst or break—here, urging energetic dancing.
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Peca' refers to curves—he says her body makes others want to stay.
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‘De peça’ implies being armed or equipped—either literally or metaphorically confident.
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A sensual beat that slows the listener’s movement—common in funk’s hypnotic production.
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Describes classic funk dance moves: 'sitting' (grinding) and 'quicar' (bouncing).
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A third repetition intensifies the visual loop, almost percussive.
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A third repetition intensifies the visual loop, almost percussive.
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Repeated to show the continuous demand in his nightlife world.
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Chapa' is the inner circle or crew; 'pai' is him asserting dominance.
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Repetition underscores the casual detachment of the scene.
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Tutu could refer to a homie or DJ; another shoutout to Japa NK for branding.
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‘Dry’ likely refers to a vape or joint; ‘opened like a flower’ suggests relaxed vulnerability.
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She escalates drinks through the night—classic party progression.
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Telling her to turn around for a better 'view'—objectifying but typical of funk’s sensuality.
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He praises her natural rhythm—‘talent’ meaning dancing skill.
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Repeated to show the continuous demand in his nightlife world.
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This time it feels more procedural—like an ongoing routine.
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Repetition underscores the casual detachment of the scene.
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A slight variation—more of a directive than a statement.
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Now the line feels like a closing thesis—rejecting romance for physicality.
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He again demands recognition, now with a more confident cadence.
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A final insistence that the truth is undeniable.
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The stutters mirror the beat’s climax near the track’s end.
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Ends on a rhythmic command typical of baile funk’s closing energy.
Credits
Producers
DJ Japa NK, Dj Davi DogDog