Tumo Weto

Tumo Weto

Mavo

Ukanigbe

Lyrics

Omayima, baby, omayima carry load oh, omayima

No more way for poor people, no more way for poor people

Only rich people get one way, only rich people get one way

No more way for poor people, yeah, yeah

Me I no been plan to finesse Adesuwa ('Suwa)

Annotation

[Second Pre-Chorus] The speaker didn't intend to deceive or manipulate Adesuwa, a common Nigerian name, suggesting a personal connection or relationship. This repetition reinforces the themes and builds emotional intensity.

All the characteristics of Owo ni koko ('Koko)

Annotation

[Second Pre-Chorus] This line highlights the Yoruba phrase 'Owo ni koko,' meaning 'money is the main thing,' emphasizing the importance of wealth in relationships. This repetition reinforces the themes and builds emotional intensity.

The baby let me know say money be koko

Annotation

[Second Pre-Chorus] The speaker's partner has made it clear that financial stability is a priority, reinforcing the theme of money's significance. This repetition reinforces the themes and builds emotional intensity.

Why you wanna me to bank on Monday

Annotation

[Second Pre-Chorus] The speaker questions why their partner expects them to rely on financial transactions or commitments at the start of the week. This repetition reinforces the themes and builds emotional intensity.

Shey na Follow your Man Day?

Annotation

[Second Pre-Chorus] This rhetorical question uses a playful tone to question the partner's expectations, possibly referencing a day dedicated to following or supporting one's partner. This repetition reinforces the themes and builds emotional intensity.

Kilogbede dey

Annotation

[Second Pre-Chorus] The term 'Kilogbede' is a playful or teasing expression, and 'no fenu foh' suggests someone who doesn't speak unnecessarily, adding a layer of mystery or intrigue. This repetition reinforces the themes and builds emotional intensity.

Kilogbede no fenu foh eh

Baby, shey you know OmamegbeBaby, shеy you ignore all the messagе wey I send to you?

Annotation

[Second Pre-Chorus] The speaker asks if their partner knows Omamegbe, possibly a mutual acquaintance or a reference to someone significant in their social circle. This repetition reinforces the themes and builds emotional intensity.

Baby, shеy you ignore all the messagе wey I send to you?

I'm sorry

Annotation

[Second Pre-Chorus] A brief apology, suggesting regret or an attempt to mend the relationship. This repetition reinforces the themes and builds emotional intensity.

Ah, ki lo kan kan mi, he fell off

Annotation

[Second Pre-Chorus] The phrase 'ki lo kan kan mi' means 'what concerns me,' indicating indifference, while 'he fell off' suggests someone losing relevance or status. This repetition reinforces the themes and builds emotional intensity.

Omo ologo cover me, sobopo

Annotation

[Second Pre-Chorus] 'Omo ologo' means 'glorious child' in Yoruba, and 'sobopo' is a slang term for 'cover me,' implying protection or support. This repetition reinforces the themes and builds emotional intensity.

Why you come dey bobo me,

Annotation

[Second Pre-Chorus] The speaker accuses Pamela of deceiving or misleading them, using 'bobo,' a Nigerian Pidgin term for trickery. This repetition reinforces the themes and builds emotional intensity.

Pamela?

Kilogbede take you to Santorini mogboOr you no fit wait, make you no go late

Annotation

[Second Pre-Chorus] The speaker suggests that 'Kilogbede' (possibly a nickname or persona) could take Pamela to Santorini, a luxurious destination, indicating promises of grandeur. This repetition reinforces the themes and builds emotional intensity.

Or you no fit wait, make you no go late

Make you no go late for your knack appointment

Annotation

[Second Pre-Chorus] 'Knack' is a slang term for sexual encounters, suggesting Pamela has other commitments or priorities. This repetition reinforces the themes and builds emotional intensity.

Or your lash appointment, you be Ce

Annotation

[Second Pre-Chorus] Refers to a beauty appointment, with 'Ce' possibly being a nickname or reference to CeCe Winans, a famous gospel singer, implying high maintenance. This repetition reinforces the themes and builds emotional intensity.

Ce Winans

Annotation

[Second Pre-Chorus] CeCe Winans is known for her elegance and grace, suggesting Pamela's high standards or aspirations. This repetition reinforces the themes and builds emotional intensity.

You think say you get gbomo-gbomo come pass?

Annotation

[Second Pre-Chorus] 'Gbomo-gbomo' is a term for kidnappers, used here metaphorically to question Pamela's perceived superiority or influence. This repetition reinforces the themes and builds emotional intensity.

Shey na you e sure pass?

Annotation

[Second Pre-Chorus] The speaker questions Pamela's confidence or certainty, challenging her self-assuredness. This repetition reinforces the themes and builds emotional intensity.

When we enter club, say na, "Two tables"Say na "Two Moet o" DJ see my song for the turntable

The baby say her nigga dey the tenth tableWhen we enter club, say na, "Two people" Say na "Two Moet o" DJ see my song for the turntable

Annotation

[Second Chorus] This repeated line highlights the ongoing social interactions and perhaps a hint of drama or intrigue within the club setting. This repetition reinforces the themes and builds emotional intensity.

When we enter club, say na, "Two people" Say na "Two Moet o" DJ see my song for the turntable

The baby say her nigga dey the tenth tableBut she wan dey, ah

Annotation

[Second Chorus] This repeated line highlights the ongoing social interactions and perhaps a hint of drama or intrigue within the club setting. This repetition reinforces the themes and builds emotional intensity.

But she wan dey, ah

Kololade o, shey you get your own skoin?

Annotation

Here, 'Kololade' might be a playful nickname or reference, while 'shey you get your own skoin?' uses Pidgin English to ask if the person has their own money or resources.

Call you may you come

Annotation

This line is an invitation, using Pidgin English to say 'I called you to come over.'

But you tell me say my gbomo-gbomo stinky

Annotation

Gbomo-gbomo' is a slang term for a kidnapper or someone shady; here, it's used metaphorically to suggest something undesirable or suspicious about the speaker.

Say she no fit dey with me, I dey stingy, economical

Annotation

The speaker is accused of being stingy or overly frugal, which is why the woman doesn't want to be with him.

Economi-what?

Annotation

This rhetorical question highlights the speaker's disbelief or mockery of being called 'economical.'

Mama say na "Cap" Mama say my money no fit move mountain

Mama say singing no go prove one thingOmotena, swag ta ma gba kpomo mo

Annotation

The speaker's mother doubts that singing will achieve anything significant, hinting at skepticism about a music career.

Omotena, swag ta ma gba kpomo mo

Omotena wan shatter my self-esteem

Annotation

The speaker feels that 'Omotena' is damaging his confidence, possibly through criticism or rejection.

Baby mawobe?

Annotation

This is a rhetorical question in Yoruba, asking 'Baby, what is it?' to express confusion or concern.

But you claim you came from Obromokpopo

Annotation

Obromokpopo' could be a fictional or exaggerated place, used to mock or question the person's background.

Me I no been dispatch your fayonogbomose

Annotation

Repeating this line emphasizes the speaker's dismissal and frustration with the person's behavior.

Me I no been dispatch your fayonogbomose

Annotation

Repeating this line emphasizes the speaker's dismissal and frustration with the person's behavior.

Be like say you ignore the message wey I send to you, I'm sorry

Annotation

The speaker acknowledges that their message was ignored, expressing regret or apology.

Tell me why you ignore the message wey I send to you, I'm sorry

Annotation

This repetition seeks an explanation for the ignored message, highlighting the speaker's confusion and desire for communication.

Me I no dey plan to finesse Adesuwa ('Suwa)

All the characteristics of Owo ni koko ('Koko)The baby let me know say money be koko

Annotation

[Second Pre-Chorus] This line highlights the Yoruba phrase 'Owo ni koko,' meaning 'money is the main thing,' emphasizing the importance of wealth in relationships. This repetition reinforces the themes and builds emotional intensity.

The baby let me know say money be koko

Annotation

[Second Pre-Chorus] The speaker's partner has made it clear that financial stability is a priority, reinforcing the theme of money's significance. This repetition reinforces the themes and builds emotional intensity.

Why she wanna me to bank on Monday

Shey na Follow your Man Day?Kilogbede dey

Annotation

[Second Pre-Chorus] This rhetorical question uses a playful tone to question the partner's expectations, possibly referencing a day dedicated to following or supporting one's partner. This repetition reinforces the themes and builds emotional intensity.

Kilogbede dey

Annotation

[Second Pre-Chorus] The term 'Kilogbede' is a playful or teasing expression, and 'no fenu foh' suggests someone who doesn't speak unnecessarily, adding a layer of mystery or intrigue. This repetition reinforces the themes and builds emotional intensity.

Kilogbede no fenu foh eh

Baby, shey you know OmamegbeBe like say you ignore the message wey I send to you, I'm sorry

Annotation

[Second Pre-Chorus] The speaker asks if their partner knows Omamegbe, possibly a mutual acquaintance or a reference to someone significant in their social circle. This repetition reinforces the themes and builds emotional intensity.

Be like say you ignore the message wey I send to you, I'm sorry

Annotation

The speaker acknowledges that their message was ignored, expressing regret or apology.

Ah, ki lo kan kan mi, he fell off (He fell off)

Omo ologo cover me, sobopo (Sobopo)Why you come dey bobo me,Pamela? (Pamela)

Annotation

[Second Pre-Chorus] The speaker accuses Pamela of deceiving or misleading them, using 'bobo,' a Nigerian Pidgin term for trickery. This repetition reinforces the themes and builds emotional intensity.

Pamela? (Pamela)

Kilogbede take you to Santorini mogbo (Mogbo)Or you no fit wait, make you no go lateMake you no go late for your knack appointment

Annotation

[Second Pre-Chorus] The speaker urges Pamela to be patient and not rush, possibly in the context of their plans or relationship. This repetition reinforces the themes and builds emotional intensity.

Make you no go late for your knack appointment

Annotation

[Second Pre-Chorus] 'Knack' is a slang term for sexual encounters, suggesting Pamela has other commitments or priorities. This repetition reinforces the themes and builds emotional intensity.

Or your lash appointment, you be Ce

Annotation

[Second Pre-Chorus] Refers to a beauty appointment, with 'Ce' possibly being a nickname or reference to CeCe Winans, a famous gospel singer, implying high maintenance. This repetition reinforces the themes and builds emotional intensity.

Ce Winans

Annotation

[Second Pre-Chorus] CeCe Winans is known for her elegance and grace, suggesting Pamela's high standards or aspirations. This repetition reinforces the themes and builds emotional intensity.

You think say you get gbomo-gbomo come pass?

Annotation

[Second Pre-Chorus] 'Gbomo-gbomo' is a term for kidnappers, used here metaphorically to question Pamela's perceived superiority or influence. This repetition reinforces the themes and builds emotional intensity.

Shey na you e sure pass?

Annotation

[Second Pre-Chorus] The speaker questions Pamela's confidence or certainty, challenging her self-assuredness. This repetition reinforces the themes and builds emotional intensity.

When we enter club, say na, "Two tables" Say na "Two Moet o" DJ see my song for the turntable

The baby say her nigga dey the tenth tableWhen we enter club, say na, "Two people" Say na "Two Moet o" DJ see my song for the turntable

Annotation

[Second Chorus] This repeated line highlights the ongoing social interactions and perhaps a hint of drama or intrigue within the club setting. This repetition reinforces the themes and builds emotional intensity.

When we enter club, say na, "Two people" Say na "Two Moet o" DJ see my song for the turntable

The baby say her nigga dey the tenth tableBut she wan dey the first table, yeah, yeah

Annotation

[Second Chorus] This repeated line highlights the ongoing social interactions and perhaps a hint of drama or intrigue within the club setting. This repetition reinforces the themes and builds emotional intensity.

But she wan dey the first table, yeah, yeah

Credits

Producers

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